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Ausiàs Tsel's avatar

There's something quietly brilliant about how you normalize the absurd here. The kid accepts shotguns and giant insects because he's been told to work hard and do the opposite of his instincts; it's both darkly comic and genuinely unsettling. The world-building details land perfectly: the jalapenyo juice, the salt spreader, the "Lawn Killer 9000." You're building mystery without rushing to explain it, which is the hardest thing to do in serialized horror.

One small craft note: the gore in the mansion paintings (the disembowelment scene) feels like it belongs to a different, more explicit story. The rest of your horror is so effectively suggested —the bug exploding, Otis hunting something unnamed— that the graphic imagery breaks the spell a bit. But that's a minor quibble in a really promising opening. Looking forward to what's next!

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